This peaceful little cove is quite near to where we live. It was a warm, hazy scene and I wanted this to come through in the painting. After drawing the outline onto a sheet of stretched paper, I diluted several colours, separately, in the wells of my palette (cobalt blue, raw sienne, raw umber & alizarin crimson).
I then wetted the entire surface of the sheet with clean water. After allowing this to settle in, I began dropping in these colours, wet-in-wet, allowing them to mix on the paper. This inititial wash creates a very atmospheric look, which will influence any washes that are applied on top.
Once dry, I began working from the distant headland to the foreground, with wet-on-dry washes.