Sunday, 28 August 2016
My most recent painting holiday was at Art Holidays in Dorset. We were fortunate enough to have some good weather, which meant my group of ten experienced some outdoor painting at several locations.
In the evening though, I did some watercolour demonstrations in the studio. The painting above is a view by the lake at St Fagan's, near Cardiff.
Above: Ruins at Margam Park, S.Wales
Above: Bigbury Bay, Devon
In this painting I used a very rough watercolour paper (Jackson's Eco). The paper is handmade and has a very different feel and look to the Bockingford paper I used for the other two. Colours appear to be more intense, even though I used the same limited palette of 5 colours* for all three. I like to try different papers from time to time, and some papers suit different subjects. I think I'll probably use this one again.
*Cobalt blue, Alizarin crimson, Raw sienna, Aureolin yellow & Burnt sienna
Sunday, 21 August 2016
Above: Painting at Dartington Hall
Just returned from a weeks painting at Slapton Ley FSC. We painted at various locations in and around Slapton and experienced a whole week without rain... a first, I think.
Below are some images from the week...
Above: Dartington Hall
Above: Painting at Torcross
Above: Haytor, Dartmoor
Above: My sketch of Haytor
Above: Classroom demo
Monday, 8 August 2016
Thursday, 21 July 2016
Wednesday, 20 July 2016
Here's a demonstration painting from the last day of my most recent course at Art Holidays in Dorset. When I can, I like to use the ,controlled wash, watercolour technique, as described by Jack Merriott in his book 'Discovering Watercolour'. The first wash is applied to wet paper, the colours being allowed to blend wet-in-wet on the surface. While the wash is wet, the paint can be moved around and allowed to create a soft, foundation wash. Once it has dried, a further wash or two can then be applied to dry paper.
This method of painting creates an atmospheric feel to the whole painting, and that first wash influences whatever transparent washes you place afterwards. It's a really good technique for depicting sunny scenes, as here.
I usually stretch the paper beforehand but here I simply used masking tape around the edges of a quarter sheet of 200lb Bockingford.
Tuesday, 12 July 2016
Just returned from a few days on Exmoor, tutoring at Shorland Old Farm. The weather was, well, very British summer time, but we did get to paint outside a couple of times. Everyone had a go at painting the farmhouse and I managed to paint this demonstration during the morning.